This essay - the first on Bevan's prints - provides a complete catalogue of Bevan's editioned and uneditioned, starting with his first etchings made in 1969.
It emphasises the close relationship between Bevan's activities as a painter and printmaker, focusing on the artist's use of line.
© 2019 James Hyman Gallery, PO Box 67698,
LONDON. NW11 1NE