JAMES HYMAN GALLERY

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Michael Andrews, 1928-1995

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Michael Andrews


1928
Born in Norwich.

1945-53
Studied at the Slade School of Fine Art.

1953
Rome Scholarship in Painting Lived at the Digswell Arts Trust.

1958-59
Taught at Norwich School of Art, the Slade School of Fine Art and
Chelsea School of Art.

1961
Received Gulbenkian Purchase Award.

1973
Invited to use the Visitor’s Studio at the Royal College of Art for 6 months.

1977
Moved from London back to Norfolk. Visited Ayers Rock in Australia.

1992
Moved back to London.

1995
Died on 19 July.


Selected solo exhibitions


2005
Michael Andrews Landscapes, James Hyman Gallery, London

2001
Major Works by Michael Andrews, Tate Britain, London

1986
Rock of Ages Cleft for Me, Anthony d’Offay Gallery, London

Smiths Galleries, London

1980-81
Retrospective exhibition, Hayward Gallery, London and tour

1978
Paintings 1977-78, Anthony d’Offay Gallery, London

1974
Anthony d’Offay Gallery, London

1958, 63
Beaux Arts Gallery, London


Selected group exhibitions


2008
Twentieth Century British Art, Osborne Samuel, London

Violence and Sensation. Francis Bacon and the Remaking of Appearance, James Hyman Gallery, London

Childish Things. Michael Andrews, Georg Baselitz, Brassai, Lewis Chamberlain, Henry Moore, Andre Kertesz, Paula Rego, Edward Weston, James Hyman Gallery, London

2007
A Tribute to Sir Colin St. John Wilson, James Hyman Gallery, London

2006
Home and Away, James Hyman Gallery, London

Portraits, James Hyman Gallery, London

New Directions. Painting and Drawings by Michael Andrews, Peter de Francia, Derrick Greaves and Robert Medley, James Hyman Gallery, London

2005
Fifty Years of British Landscape Painting, James Hyman Gallery, London

2003
From Life: Andrews, Bevan, Bomberg, Coldstream, Kossoff, Sickert, Uglow, James Hyman Gallery, London

1987-88
A School of London: Six Figurative Painters, British Council tour, Kunstnernes Hus, Oslo, Norway        

Robin Campbell Commemorative Exhibition, Arts Council of Great Britain

1987
British Art in the 20th Century: The Modern Movement, Royal Academy of Arts, London

1986-87
Looking into Paintings, Arts Council of Great Britain, Castle Museum, Nottingham and on tour

1986
Gallery Artists, Anthony d’Offay Gallery, London

1985
A Singular Vision, Royal Albert Memorial Museum and Art Gallery, Exeter and tour

1984-85
The Proper Study: Contemporary Figurative Paintings from Britain, British Council tour, New Delhi and Bombay, India

1984
The Hard-Won Image, Tate Gallery, London

Modern Masters from the Thyssen-Bornemisza Collection, Royal Academy of Arts, London

1983
As of Now: Peter Moores Liverpool Project, The Walker Art Gallery, Liverpool

1982
British Drawings and Watercolours, British Council tour, People’s Republic of China

1981-82
Eight Figurative Painters, Yale Center for British Art, New Haven, Connecticut, USA

1979-80
Narrative Painting, Institute of Contemporary Arts, London and tour.                

The British Art Show, Mappin Art Gallery, Sheffield and tour (Arts Council of Great Britain touring exhibition)

1974
Contemporary British Painting and Sculpture, Lefevre Gallery, London        

1977
Real Life: Peter Moores Liverpool Project, Walker Art Gallery, Liverpool
British Painting 1952-1977, Royal Academy of Arts, London        

1973
Critic’s Choice, selected by Michael Shepherd, Arthur Tooth & Sons, London

1972
Tercera Bienal de Arte Coltejar, Medellin, Colombia

1971
The Slade 1871-1971, Royal Academy of Arts, London

1968
Helen Lessore and the Beaux Arts Gallery, Marlborough Fine Art, London

1967
Drawing Towards Painting 2, Arts Council of Great Britain.

English Painting 1951-1967, Norwich Castle Museum, Norwich

1966
Survey 66: Figurative Art, Camden Arts Centre, London

1964-65
Pittsburgh International 1964, Carnegie Institute, Pittsburgh, USA

1964
Painting and Sculpture of a Decade 1954- 64, Tate Gallery, London

British Painting in the ‘60s, Whitechapel Art Gallery, London

1962
British Self Portraits from Sickert to the Present Day, Arts Council of Great Britain, London

1960-61
Modern British Portraits, The Arts Council Gallery, Cambridge and tour

1955
8 Painters, Institute of Contemporary Arts, London

6 Young Painters, Arts Council of Great Britain, London

1953
Drawings for Pictures, Arts Council of Great Britain

1952
Four Young Artists, Beaux Arts Gallery, London. Young Painters, Institute of Contemporary Arts, London


Selected Collections


Arts Council Collection, London
Tate Collection, London
Thyssen-Bornemisza Museum, Madrid, Spain


Selected Bibliography


Andrews, M. and Feaver, W. (ed. B. Gopegui), Michael Andrews: Lights, exhibition catalgoue, British Council, 2000

Andrews, M. and Feaver, W., Rock of Ages Cleft for Me. Recent Paintings by Michael Andrews, exhibition catalogue, Anthony d’Offay Gallery, London, 1986

Bernard, B. and Raban, J. Michael Andrews: The Delectable Mountain: The Ayers Rock Series and Other Landscape Paintings, exhibition catalogue, Whitechapel Art Gallery, London, 1991

Calvocoressi, R., Michael Andrews: The Scottish Paintings, exhibition catalogue, Scottish National Gallery of Modern Art, Edinburgh, 1991

Feaver, W. and Moorhouse, P., Michael Andrews, exhibition catalogue,Tate Britain, 19 July-7 October 2001

Gowing, L., Michael Andrews, exhibition catalogue, London, Hayward Gallery; Edinburgh, Fruitmarket Gallery; U. Manchester, Whitworth Art Gallery; 1981

Hyman, J.,The Battle for Realism, Yale University Press, 2001

Wilson, C. St John, The Artist at Work On the Working Methods of William Coldstream and Michael Andrews, Lund Humphries, 1999

Artist Statement
Michael Andrews (1929-95) was one of the greatest British painters of the twentieth century and is commonly associated with the School of London and a circle of friends including Frank Auerbach, Francis Bacon, Lucian Freud, R. B. Kitaj and Leon Kossoff

He worked very slowly, producing only a small body of work, leading Lucian Freud to declare that Andrews only painted masterpieces. Frank Auerbach recently wrote that "each work of his is a separate invention; the transformation of complex subjects so poetic, the formal allusions so subtle and varied, the structural scaffolding so subsumed, that the insensitive have sometimes found his work bland. It is, in fact, the product of extreme sensibility, extreme good manners and extreme conscience."

The Estate of Michael Andrews is represented by James Hyman Gallery.

 
 
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