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Artworks
Harry Callahan 1912-1999
Hot Stuff! (Eleanor Nude)Vintage Gelatin Silver Print45.09 x 58.42 cms
17 12/16 x 23 ins10907SoldOnly known enlarged exhibition print. Wrapped round board. Annotated 'Gift from Harry Callahan, Wayne Miller 1955' in pencil on mount verso. Inscribed on verso 'Hot Stuff'. Harry Callahan, Hot Stuff!...Only known enlarged exhibition print. Wrapped round board.
Annotated 'Gift from Harry Callahan, Wayne Miller 1955' in pencil on mount verso. Inscribed on verso 'Hot Stuff'.
Harry Callahan, Hot Stuff! (Eleanor Nude), c.1948 is a remarkable photograph of exceptional size by one of the greatest American photographers of the twentieth century. No other prints are known and this work is believed to be unique.
Inscribed on the reverse, presumably by Wayne Miller, HOT STUFF.
Enlarged exhibition print. Mounted onto thick board, around which the edges of the image are wrapped.
This photograph is one of Callahan's largest early works and was clearly presented this way for inclusion in one of his first exhibitions, most likely Diogenes with a Camera I, MOMA (1952) as catalogue 28 Nude on a black background (enlargement). (The work is not visible in the single surviving installation photograph)
The picture is one of a number of nudes of Eleanor set against a black background from 1948/49, which are amongst the most sensual of all Callahan's depictions of his wife.
The Centre for Creative Photography, Arizona, which houses Harry Callahan's personal archive, has the 2 1/4 inch square negative for this work. One 2 1/4 inch contact print has subsequently been discovered but no other prints of this work are known.
The format of the negative further establishes the works connection to other nudes of 1948 which have a square format.
We are grateful to Stephen Daiter of Stephen Daiter Gallery; Tasha Lutek at the Photography Department, MOMA; Michelle Harvey at the Steichen Archive, Moma; and Leslie Squyres at the Centre for Creative Photography, Arizona for their assistance in cataloguing this exceptional work.Provenance
The photographer Wayne Miller, acquired direct from Harry Callahan by 1955.
Wayne Miller until 2012, thence by descent.
Stephen Daiter Gallery, Chicago
In 2012 Wayne Miller consigned the work to Stephen Daiter Gallery. He recalled that he was given the work by Harry Callahan, either when they were both colleagues at the Chicago Institute of Design (1946-48) or in the run up to the MOMA exhibition The Family of Man (1955), which included Callahan and was curated by Steichen with the assistance of Miller.
Exhibitions
Diogenes with a Camera 1, Museum of Modern Art, New York, 1952.
(Presumed to be catalogue 28: Harry Callahan "Nude on a black background (enl.)" [ie enlargement]
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