Man Ray 1890-1976
Perhaps the most famous photographer of the twentieth century, Man Ray (1890-1976) was the leading photographer in dada and then surrealist circles, contributing along with Brassaï and Boiffard to Surrealist journals and exhibitions.
Man Ray's wide body of work ranges from fashion photographs to abstract and surreal still lives.
Famed for his darkroom experimentation, including a process of solarisation, Man Ray was also a consummate street photographer.
Man Ray (a pseudonym adopted by the artist) was born on August 27, 1890, in Philadelphia, and moved to New York with his family seven years later. In New York he frequented Alfred Stieglitz's gallery '291' in 1911 and attended classes at the Ferrer Center in 1912. In 1915 his first solo show was held at the Daniel Gallery, New York. About this time he took up photography, the medium for which he was to become best known.
He entered into a lifelong friendship with Marcel Duchamp, with whom he and Walter Arensberg founded the Society of Independent Artists in 1916. With Duchamp, Katherine Dreier, Henry Hudson, and Andrew McLaren, Man Ray established the Société Anonyme, which he named, in 1920. Before the artist moved from New York to Paris in 1921, Man Ray and Duchamp published the single issue of New York Dada.
In Paris, Man Ray was given a solo exhibition at the Librairie Six in 1921. His first Rayographs (photographic images produced without a camera) were published in Les Champs délicieux, rayographiesin 1922, the year the artist participated in the Salon Dada at the Galerie Montaigne in Paris. With Jean Arp, Giorgio de Chirico, Max Ernst, André Masson, Joan Miró, and Pablo Picasso, he was represented in the first Surrealist exhibition at the Galerie Pierre in Paris in 1925. From 1923 to 1929 he made the films Le Retour à la raison, Emak Bakia, L'Etoile de mer, and Les Mystères du Chde Dé.
In 1932 Man Ray's work was included in Dada, 1916-1932 at the Galerie de l'Institut in Paris and in a Surrealist show at the Julien Levy Gallery in New York. He collaborated with Paul Eluard on the booksFacile in 1935 and Les Mains Libres in 1937.
Convulsive BeautySurrealist Photography and its Legacy 6 Jan - 5 Feb 2011James Hyman Photography's newest exhibition Convulsive Beauty explores the legacy of the Surrealist's psychological, physical, spacial and sexual freedom. The themes of this exhibition derive from an appreciation of the precedence given to photography within the Surrealists' visual practise and the appropriation and use of photography in its journals (including...
Paris Photo 2021.10 - 14 Nov 2021James Hyman Photography is delighted to return to Paris Photo. This year, we have divided our booth into three main sections. Chronologically, the first, entitled The Great Wall is a huge wall of walls that presents ninteneth century photographs of walls, from the ruins of ancient civilisations to modern day France. The second wall includes important Modernist works from the first half of the twentieth century including celebrated vintage images by Man Ray and Edward Steichen. The third part, In Sickness and in Health, explores issues around health and wellbeing...