Ivon Hitchens 1893-1979
Ivon Hitchens's abstraction was rooted in the English landscape. He experimented with perceptual abstraction and his mature style was heavily influenced by Braque. After his house was bombed in 1940 he moved to a patch of woodland near Petworth, West Sussex. He worked there for the next forty years, distanced from the predominantly literary currents of British modern art.In his commitment to colour and open brushwork he was closer to the modern French masters, especially Bonnard. However he painted mostly outdoors and his technique developed from a tonal treatment that recalled the informality of Constable's sketches.He valued the disciplines of Cézanne too highly to allow structure to be controlled by subjective response alone. The paintings of his last years were characterised by both a glorious freshness of colour and grey tonalities.
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From Ivon Hitchens to the Kitchen-Sink. Re-examining the British Pavilion at the Venice Biennale (1956)
26 Jan - 10 Mar 2012The British Pavilion at the Venice Biennale of 1956 is today chiefly remembered for its presentation of the kitchen-sink painters - John Bratby, Derrick Greaves, Edward Middleditch and Jack Smith....Read more -
Twentieth Century British Paintings and Drawings
1 Aug - 27 Sep 2002
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Museum Quality
The Colony Room Mural and Other Important Modern British Works from James Hyman Gallery 2009Hardback, 48 pagesRead more
Publisher: James Hyman Gallery
Dimensions: 29.5 x 25 cms -
The Battle for Realism
Figurative Art in Britain during the Cold War 1945 - 60 James Hyman, 2001Hardback, 272 pagesRead more
ISBN: 0-300-09089-7
Dimensions: 28 x 23 cms