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Open a larger version of the following image in a popup: Eugene Cuvelier, Au bas du point de vue du camp, 1860
Open a larger version of the following image in a popup: Eugene Cuvelier, Au bas du point de vue du camp, 1860
Open a larger version of the following image in a popup: Eugene Cuvelier, Au bas du point de vue du camp, 1860
Open a larger version of the following image in a popup: Eugene Cuvelier, Au bas du point de vue du camp, 1860
Open a larger version of the following image in a popup: Eugene Cuvelier, Au bas du point de vue du camp, 1860

Eugene Cuvelier

Au bas du point de vue du camp, 1860
Salt print from paper negative
25.4 x 33.7 cms
10 x 13 1/4 ins
14498

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circa 1860. The present photograph bears a notable resemblance to a drawing by Théodore Rousseau entitled Route en Forêt (Michel Schulman, Théodore Rousseau 1812 - 1867: Catalogue Raisonné de l'Oeuvre...
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circa 1860.


The present photograph bears a notable resemblance to a drawing by Théodore Rousseau entitled Route en Forêt (Michel Schulman, Théodore Rousseau 1812 - 1867: Catalogue Raisonné de l'Oeuvre Graphique, no. 738), made circa 1860. In both works, a dirt carriage track dominates the bottom and right sides of the frame, and a grove of tall trees stands on the left. The photograph and the drawing appear to have been made from similar vantage points: Cuvelier and Rousseau each placed themselves squarely in the middle of the track in formulating their compositions. The depth of the shadows in Cuvelier's photograph -- in the foreground, and pooled beneath the stand of trees -- indicates that he took this image under the full force of the sun on a particularly bright day.


Gauss does not list this salt print in her census, and accounts for only one albumen print.

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Provenance

The collection of John Chandler Bancroft, Middletown, Rhode Island

Gustave J. S. White Co., Auctioneers, Newport, Rhode Island, 1989

New England antiques dealer 2007

Sotheby's: An Important Collection of Photographs by Eugène and Adalbert Cuvelier Lot 4 2007


Literature

Ulrike Gauss, Henning Weidemann, and Daniel Challe, Eugène Cuvelier (Stuttgart, 1996, in conjunction with the exhibition), no. 282
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