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The Human Abstract
Tony Bevan, Bill Brandt, Harry Callahan, Dennis Creffield, Derrick Greaves, Zhang Huan, Andre Kertesz, Henry Moore, Andy Warhol 10 Feb - 4 Mar 2016Building on this theme, a central aspect is inspired by Honore de Balzac's great short story, The Unknown Masterpiece (1831). Rather than seeing the story as a message about abstraction,...Read more -
Beyond the Human Clay
5 May - 18 Jun 2011In 1976 the great figurative painter and polemicist R.B. Kitaj organized a group exhibition for the Arts Council of Great Britain entitled The Human Clay. To mark the 35th anniversary...Read more -
Modernist Realism
The School of London from Andrews to O'Donoghue 25 Feb - 1 May 2010James Hyman Gallery is pleased to present Modernist Realism an exhibition that focuses on artists who have made London their base and are often associated with the School of London....Read more -
Tony Bevan. Construct
26 Nov - 22 Dec 2009From Bevan's earliest days, interiors have coexisted with portraits and figures, and his work has increasingly divided into interiors with corridors, rafters and studio furniture amd figures and portraits. The...Read more -
Violence and Sensation
Francis Bacon and the Remaking of Appearance 5 Sep - 4 Oct 2008James Hyman says: As this exhibition demonstrates, Bacon's legacy was not stylistic so much as conceptual: an encouragement to take risks, an art of extremes, a heightened sense of mortality.Hyman...Read more -
From Life. Radical figurative art from Sickert to Bevan
Michael Andrews, Frank Auerbach, Tony Bevan, David Bomberg, William Coldstream, Leon Kossoff, Walter Sickert, Euan Uglow 10 Sep - 18 Oct 2003A spine runs through some of the most radical figurative art in Britain of the twentieth century. Its backbone is drawing and its fibre art school teaching, yet it is...Read more -
Tony Bevan. The Complete Prints
Drypoints, etchings, woodcuts 1 Oct - 11 Nov 2002The exhibition extends from Bevan's first etchings to a recently completed drypoint of a head. Tony Bevan's prints have always had a close relationship to his paintings and drawings but...Read more